THE COMPLETE
MUSICAL WRITINGS OF IVOR DARREG
ELECTRONIC MUSIC AND THE FILMS (1945)
THE QUARTERTONE QUESTION (1947)
The Coming Electronic Orchestra (1945 & 1958)
STREAMLINED INSTRUMENTS FOR THE MODERN AGE (1946)
HARMONIC COINCIDENCE CHARTS (1950)
THE CONTEMPORARY COMPOSER'S GREATEST PROBLEM--AND ITS SOLUTION (1952?)
Special Discussion Program: Automatically Performed Music (1956)
THE ELECTRONIC COMPUTER TAKES UP MUSIC LESSONS (1957)
Special News-Bulletin From Ivor Darreg, December 1957
Should Music Be Composed With the Aid Of Systems? (1959)
The Amount of Information In Piano-Actions (1960 & 1991)
Names of Notes in the Series of Fifths, 1 - 119 up & down from C (1962)
Names of Notes in the Series of Major Thirds, up & down from C (1962)
NEOTERIC MUSICAL COMPOSITIONS BY IVOR DARREG (1966)
SHALL WE IMPROVE THE PIANO? (1967)
Ivor Darreg's Progress Report (1967)
List of Intervals Relevant to the Theory of Tuning (1968)
Musical Pitches of Some English Vowel Resonances (1972)
Unusual Instruments May Be Seen and Heard On Hilltop Studio (1973?)
DIGITAL, ANALOG AND THE MUSICIAN (1974?)
MEGALYRA: The Resourceful Contrabass (1977)
VIEWPOINT: 2 ESSAYS ON XENHARMONICS (1977)
New Chords and New Tunes (Something To Fret About) (1978)
Background Information On the Megalyra Concept (1978)
RE-FRETTING & FRET-LINING (1979)
Notation For Non-12: Parts 1 & 2 (1979)
Musical Strings: Parts 1and 2 (1979)
Sing Your Way To Just Intonation (1979)
Non-Twelve on the Clavichord (1979)
XENHARMONICS AND MUSICAL NOTATION (1979?)
Going without the Wind: The Electronic Keyboard Oboe (1979)
New Instruments and New Tuning Systems (1979)
The place of QUARTERTONES in Today's Xenharmonics (1980s) [Previously incorrectly dated on this webapge as 1958]
Listening for the new intervals: the DRONE can help (1980)
Another Analogy For Temperament (1980)
The Megalyra Instrument Concept (1980)
Another Way of Going Beyond Twelve Tones Per Octave (1981)
PALAEONTOLOGY DEPARTMENT: THE TWELVE-TONE PIANOSAURUS (1981)
Relative Importance of Some Equal Temperaments (1981)
The Theories of Claude Debussy (1981)
TONE- OR PITCH-BENDING as gateway to Non-12 (1982)
TUNING NOISES AND PAINTING TIME: HOW THE FUTURISTS MADE HISTORY (1982?)
Chart of the Just Intervals Shown by the Fret-Lines on the Megalyra Family of Instruments (1982)
Theremin - the First Analog Synthesizer (1982)
IT IS TIME TO RELEASE COMPOSERS FROM HIDDEN CONSTRAINTS (1982)
That OTHER Keyboard Stringed Instrument...And What I Have Done About It (1982?)
NUANCES: Thawing Out the Cold Print (1983?)
Possible Novosonic Project (1983)
Ivor Darreg Year In Review (1983)
Letter to Ear Magazine East (1984)
A Kind Word or Two About ALEXANDER JOHN ELLIS ON THE OCCASION OF THE CENTENNIAL 1885-1985 OF THE SECOND ENGLISH EDITION OF HIS TRANSLATION OF AND APPENDIX TO HELMHOLTZ'S SENSATIONS OF TONE (1985)
Interfacing Art and Science (1985)
The Xenharmonic Alliance (1985)
WHO'S AFRAID OF THE BIG BAD WOLF? (1985)
You Have An Opportunity (1985)
New Opportunities For the Musical Explorer (1985)
Some Xenharmonic Accidentals (1985)
How To Translate Japanese Into Greek (1985)
Megalyra, Drone, and Newel Post (1986)
It's Something Like the Weather (1986)
Degradation and Intimidation (1987)
A Forgotten Chapter in Keyboard-Instrument History -- the (Hammond) 'Novachord' (1987)
24 Notes of 1/4-Comma Meantone (1987)
Twelve Pitches Are No Longer Enough! (1988)
Piano Reincarnation Project (1988)
USING TWO-PART COUNTERPOINT FOR NON-TWELVE MUSIC (1988)
Visual Analogy For Temperament (1989)
Proposal -- Klavierda"mmerung: The Twilight of the Piano (1990)
The Enharmonic Genus of the Ancient Greeks (1990)
Diagram Of 24 Just Pitches In the First Just Intonation Table (1990)
OPENING THE DOOR TO THE NINETIES (1990)
30th Anniversary: In Limbo Suite (1993)
COMBINED TABLE OF CONTENTS FOR XENHARMONIC BULLETINS 1-12 (1992)
